Competition Takes Aim at After Effects, Hollywood Goes Totally Unreal, and Image Relighting Magic
From some of the best work in the industry to a brand commercial that has everyone shaking their heads, we’re bringing it. In this Motion Mondays, we’ll explore cloud-based animation software Fable’s new compositing features, Robert Zemeckis’ cutting edge approach to filmmaking for Here, and Magnific's powerful new Relight tool. We’ll also look at some inspiring motion design work, news from Figma’s Config Conference and some new legal and artistic AI debacles (because it wouldn’t be a Monday without at least one).
By the way, there is just ONE WEEK LEFT for Summer Registration! Register now and lock in our current prices before they go up for the Fall Session: schoolofmotion.com/summerschool
🎓 SCHOOL OF MOTION COURSES MENTIONED
🗒️ SHOW NOTES
- Dark Matter Title Sequence Creation
- Forward Festival Berlin
- Animation and Motion Design Conferences
- Toys 'R Us Studios
- Reality Scan by Unreal Engine
- Fable Motion Update
- Fable App Releases
- Ozone Pro
- Dneg 360
- Behind the Scenes of Robert Zemeckis' Here
- AI Music Generators Lawsuit
- Artlist.io VO Tool
- Student of the Week - Mick Palazzese
- Student of the Week -Eva-Maria Hanazeder
- Hand Gesture Collage Stickers
- Punk Letters and Numbers
- Void Spot by Already Been Chewed
- Void Spot Before and After
- Figma's Product Launch Keynote
- Figma's Config Conference Recap
- Magnific's Relight Tool
- Dick Van Dyke's Use of Lightwave 3D
Oops! Something went wrong while submitting the form.